Ian Phillips expresses some frustration with the way the Numeracy across the Curriculum strand of England’s Key Stage 3 Strategy is sometimes presented. He argues that the acid test of cross-curricular numeracy is the value of mathematical understanding in aiding historical thinking and imagination. He criticises attempts to plant numeracy...

Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. As a local authority adviser, Andrew Wrenn's advice has often been sought by history departments, both those seeking to resist ill-conceived and potentially damaging cross-curricular initiatives and those keen to exploit new opportunities for meaningful...

James Woodcock continues his theme from Teaching History 138 about the difference between superficial, thematic cross-curricularity and much more rigorous interdisciplinarity. His concern is to retain rather than compromise the integrity of the subject disciplines. Woodcock argues that interdisciplinary working adds value to learning only when the knowledge and the distinctive...

Here is a wonderful reminder of the richness of materials available to history teachers. With ever greater emphasis being placed on different learning styles, it is a good moment to remind ourselves that we can cater for virtually all of them in our classrooms. This includes a preference for learning...

Mary Woolley decided to make four revision sheets for her lower-band Year 11 set. Each was to help them view their American West study through a different lens. She was rather uncertain, however (and so were the pupils) about her fourth sheet on places. Her reflections on the revision sheet...

Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. How might history and art mutually enrich each other and enhance pupil experience? The short answer, and there is much more to be said as Liz Dawes Duraisingh and Veronica Boix Mansilla show, is by...

Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Alf Wilkinson has been working as ‘National Subject Lead' for History, co-ordinating a programme of support for schools, funded by the DCSF and delivered in partnership with the Historical Association and the CfBT. Here he...

Maths and Museums: Norwich Castle Museum Working with Key Stage 3 MathsFaye Kalloniatis (Museum Education Manager, Norfolk Museums and Archaeology Service)The project, ‘Storming the Castle, challenged the idea that museums are not places where schools can extend their students' maths skills. On the contrary, the project demonstrated that museums can...

This issue's problem: Emma Norman finds the analogies that she's using to make historical ideas meaningful end up distracting or confusing the students. Emma has come into history teaching after a number of years at home looking after children. Her previous work was as a fundraiser for an environmental campaign group,...

In this article, Seán Lang examines the power of film to shape AS/A students’ perception and even understanding of the past. He argues that teachers of Years 12 and 13 underestimate at their peril the impact film can have on how students shape their perception of history. Although, as he...

Pictures abound in history classrooms and teachers use them in many different ways. They add - often literally - some colour to the past, helping us to imagine what different worlds were like. Pictures can be used quite legitimately in this way to fire imagination and stimulate interest. But we...

How do we relate to the past? Does it tell us who we are? Is it a source of examples to follow and mistakes to avoid? Or can we go beyond that to something genuinely historical? Arthur Chapman and Jane Facey argue that as history teachers we have a responsibility...

As historians, we know that ‘factual’ information should never be uncritically accepted. And yet, too often, that is exactly what we do with the maps we use to locate ourselves and our students. Evelyn Sweerts and Marie-Claire Cavanagh, who now work in a European School in Brussels but until recently...

This project emerged from team-teaching with history teachers in history lessons. Gill Minikin draws upon her expertise as an English teacher to help pupils become excited by the challenge of ‘squeezing language' into poems. History teachers often ask pupils to write poems but they do not necessarily draw upon all...

Do they learn about Agincourt in France? 2015 was a year of anniversaries. As part of our funded commemoration projects surrounding the 600th anniversary of the Battle of Agincourt, we have commissioned an enquiry looking at the battle and how it has been remembered, particularly aimed at pupils in years...

The study of history has to be vibrant. It is about real people, real dramas, real narrative, real human dilemmas. It is not surprising that, despite manifold structural pressures working against us, take-up for GCSE history is once again buoyant. There are all manner of reasons for this - is...

Liz Taylor invites history teachers to consider how diverse and uncommon the ‘common’ person’s experience of place might be. She draws upon cultural geography to show how words like ‘place’, ‘space’ and ‘landscape’ can be unpacked and questioned and so become better tools for pupils’ critical thinking in both geography...

02 Editorial 03 HA Secondary News 04 Alf Wilkinson: Making cross-curricular links in history: some ways forward (Read article) 08 James Woodcock: Disciplining cross-curricularity? Cottenham Village College history department's inter-disciplinary projects: an evaluation (Read article) 13 Michael Monaghan: Having ‘Great Expectations' of Year 9 Inter-disciplinary work between English and history...

Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. What should we do with our brightest and best? Neal Watkin and Johannes Ahrenfelt suggest an enquiry for a very high ability Year 8 group which is both challenging and genuinely historical. The enquiry itself...

Year 9 think they know a lot about the First World War. After all, they read Michael Morpurgo's novel Private Peaceful in their English lessons all the way back in Year 7, they've seen Blackadder so many times they can recite it, and in the centenary year of the war's...